BYE BYE, BABY
Sharp dialogue, perfect pacing, fascinating characters and the unraveling of a mystery that has always caught the public’s imagination makes for riveting fiction. This is a Hollywood novel that’s more interesting than the true story — if, in fact, it’s not what really happened anyway. Collins’ twist on this American mystery simply can’t be put down until the last page has been read.
In 1962, Marilyn Monroe is being harassed by everyone from her studio to the president and his brother, who want her to disappear almost as much as they want to bed her. Marilyn asks PI Nate Heller to tap her phone so she’ll have a record of the calls. Nate finds out she’s already being tapped — by the CIA, the FBI and the mafia. An icon whose connection to the White House makes her an object of interest for too many parties, Marilyn turns up dead not long after Nate plants the bug — by all accounts either a suicide or an accident. Nate’s not buying it and feels he owes it to her to find out what happened. (FORGE, Aug., 336 pp., $24.99)