Message From The Author
This is a love story. More or less.
Master and Apprentice was the first novel I’d ever written under contract. The first book in the series, Master of None, had sold to Pocket Books as a two-book deal, with a synopsis and fifty pages of the second book—which was at the time titled Djinn’s Apprentice—already written. At that point, having already completed eleven novels (yes, it took me that long to break into publishing), I was fairly confident that I could meet the dreaded deadline with the second book.
It wasn’t long before I was forced to reevaluate my opinion. Confidence is a fickle thing, and around page 200 of the sequel... it left me.
I was sure Confidence had laid eyes on some other, more established writer—perhaps Jayne Ann Krentz, whose books I’d recently glommed. Or maybe it had gotten bored with urban fantasy and jumped ship to Stephen King territory. I knew I shouldn’t have read Duma Key that sixteenth time. At any rate, one night Confidence packed its bags and moved out, without leaving so much as a Dear Sucker letter, and I awoke the next day completely stuck.
Without Confidence, my characters turned on me. My unlucky thief, Donatti, decided it’d be a great idea to cease and desist all this save-the-world stuff and find some tropical island to hide out on until the djinn finished achieving world domination. Ian, the main sort-of-good djinn, wanted to take his princess and go home—if only I hadn’t let his princess get kidnapped. For weeks, they sat around glaring at me. Taunting me. Telling me that I shouldn’t have taken the contract, because I was never going to finish this book, and my publisher was going to send some goons around to lump me up or cart me off to writer jail.
Finally, I realized that the problem wasn’t where I was stuck. It was how I’d gotten there. I needed to go back and frontload a catalyst in the earlier part of the book that would make things happen later.
Thus began my fortunately brief tryst with Panic.
Panic settled in comfortably, having been with me before. It reminded me that I’d done this type of major change with other books, and it always resulted in the deletion of several chapters. Once, I’d had to scrap an entire 80,000-word novel because I’d written it around the wrong main character. At that point, I hadn’t been on a deadline—but I was now. And Panic gleefully poked me with this fact over and over, while I stared at the place I knew the change had to come: page 16. I was facing the prospect of deleting 175 pages of work, and somehow writing 300-plus brand new pages in about ten weeks.
Then an unexpected idea presented itself. Instead of changing the plot and deleting large chunks of story to accommodate the catalyst, which I’d planned to work into the arc of an existing character, I’d create a new character. Someone quirky and interesting and fun, with lots of guts. Since my characters were, on page 16, traipsing around a largely uninhabited mountain, I thought, “A crazy hermit mountain man! Yes!”
And the hermit said, “Actually, I’m a woman.”
I named her Mercy, and she fit right into the story like I’d intentionally left gaps just for her. She brought her pet raccoons along, and even finagled herself a romantic sub-plot with an existing character. I didn’t have to delete anything major, and my sketchy planned ending suddenly solidified itself with Mercy’s addition.
Panic hung around for a while, muttering halfheartedly about deadlines and deleted scenes and writer jail. Once I ignored it long enough, Confidence poked its head back in and asked if it could stay awhile.
I let it, even though I knew it was still seeing Jayne Ann Krentz and Stephen King on the side. To this day, Confidence and I have a spotty relationship—but it usually comes around just when I need it the most. I did manage to meet my deadline for Master and Apprentice, and that’s what matters.
But I’m sure Panic isn’t done with me yet. In fact, it’s looking forward to my next book more than I am.
- Sonya Bateman
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