This month science fiction and fantasy readers can expect releases from several fan favorite authors, as well as some new faces. Today we're playing tour guide and pointing out some September hot spots of the genre. First up, we feature a fresh story from a Hugo-winning author that will appeal to readers across the genres. Next, two bestselling authors join forces to deliver a book that is truly extraordinary. After that, we turn our focus to a brand new series starter from Kate Griffin. And finally, we take a look at some memorable sci fi/fantasy romances hitting shelves thing month.
This past weekend, the 2012 Hugo Awards were announced at WorldCon 7 in Chicago, honoring some of the best science fiction and fantasy works of the past year. Hosted by SFWA President, WorldCon 7 Toastmaster and sci fi author John Scalzi, the ceremony awarded authors and writers for best novel, best screenplay, best fanzine and several other categories. Some of the notable 2012 Hugo winners are:
Best Novella: “The Man Who Bridged the Mist” by Kij Johnson
Best Novelette: “Six Months, Three Days” by Charlie Jane Anders
Best Short Story: “The Paper Menagerie” by Ken Liu
Best Dramatic Presentation (Long Form): Game of Thrones (Season 1)
Best Dramatic Presentation (Short Form): “The Doctor's Wife” (Doctor Who), written by Neil Gaiman
This month’s science fiction and fantasy releases will leave readers over the moon! Today we're playing tour guide and pointing out some August hot spots of the genre. First up, we give fantasy the royal treatment by spotlighting stories that feature adventures of kings, queens and other members of the court. Next, steampunk is in style this month with three new releases in the genre, so we went straight to the authors to find out what their favorite piece of steampunk apparel is! After that, we turn our focus to a brand new fantasy E-book release from Anna Scarlett. And finally, it’s back to Shannara with the first installment in Terry Brooks’ new The Dark Legacy of Shannara trilogy!
I originally found out about author Jim C. Hines after coming across a few of his blog posts where he recreated cover model poses from fantasy and romance covers (which you can see here and here). After laughing uncontrollably, I figured someone with this much imagination must write some great stories. I got my chance to read Jim's books with Libriomancer, a fantasy tale that follows Isaac Vainio, a Libriomancer with the power to conjure fictional items from books, bringing them to life. The book was an absolute delight and stuck with me for days, but left me with a few questions that Jim has kindly agreed to answer. And to help spread my love of this story, readers can enter to win their own hardcover copy of Libriomancer at the end of this post!
History as a tool for storytelling can not only provide authors with a frame of reference for their tales, but can give them something to rewrite entirely. Ian Tregillis' Milkweed Triptych is more than just a reimagining of times past, it's an adventure that throws readers into the middle of the Cold War populated by demons and warlocks. In the series second, The Coldest War, warlocks maintain peace between Britain and the USSR, but when they start dying, Milkweed agents must discover who — or what — is to blame. With such a dark, captivating setting, we asked the author to share why he thought the Cold War was the perfect environment for his supernatural story.
The Coldest War is a ghoul. Outwardly, it wears the bloody skin of a trilogy's middle book; underneath, however, it's something else, nourished by devouring the bones of a former standalone novel.
This month’s science fiction and fantasy releases are out of this world! So today we're playing tour guide and pointing out some of the hot spots of the genre. First up, Beth Bernobich gives us an insider's look at the sequel to her RT Award winning 2010 release Passion Play, this July’s Queen’s Hunt. Next, we spotlight some of the interesting supernatural creatures you can find in the month's new releases. Then Philippa Ballantine shares a behind the secenes look at the universe of her new fantasy series starter, Hunter and Fox. After that, we share our favorite space-y songs inspired by Rob Reid’s Year Zero. And finally, we bring you up to speed on the genre-related industry news that you need to know!
Devon Monk kicked off her Age of Steam series with last year's Dead Iron, which began the adventures of bounty hunter Cedar Hunt. Set in an alternate American western frontier, Cedar is faced with not only capturing monsters, but he also must deal with transforming into one himself during every full moon. For those new to the series, we asked the author to share what readers will need to know about Cedar, his story and steam age America before picking up a copy of the series second, Tin Swift which releases today.
In steam age America, men, monsters, machines and magic battle to claim the same scrap of earth and sky. In this chaos, one man must fight to hold on to what is left of his humanity ...
Fantasy fans know that a well-built world is crucial for an irresistible story. And author N.K. Jemisin always immerses readers into new and interesting worlds. The author's recent Dreamblood books tell the tale of Gujaareh, a nation torn apart by war in which the Gatherers, priests of the dream-goddess, are responsible for ensuring peace. Reviewer Natalie Luhrs boasts that "Jemisin excels at worldbuilding and the inclusion of a diverse mix of characters makes her settings feel even more real and vivid," and part of her excellent worldbuilding is her intricately crafter religion. Today the author reveals her "recipe" for whipping up a religion fit for a fantasy universe.
The folks at RT asked me to describe how I came up with the Egyptian-flavored religion in the Dreamblood books. The straightforward answer is, simply: I made it up. There's some Jungian dream theory in there, a little Egyptian religion, and a whole lotta "Yeah, this sounds cool, let's try that." But that's not much of an explanation, and since I was making dinner while writing this, I thought I'd try a different tack to explain what was involved in the "making it up" process.
BAM! The cover for Mary Robinette Kowal’s upcoming release Without A Summer is absolutely eye-catching. It makes an impression — something I’d think even if it weren’t the art on the front of the third book in one of my favorite new series. But it is!
This just-revealed cover graces book three in the Glamourist Histories, the continuing adventures of artists Jane and Vincent. These main characters were first introduced in the author’s debut, Shades of Milk and Honey, which won her the August 2010 RT Seal of Excellence. The story's concept was “Jane Austen’s Pride and Prejudice with magic.” The premise which sounds tired and overdone, instead launched a series that is simply put, a joy to read.
These books are Regency England-set tales with an emphasis on the conventions of the era. The only addition that Kowal makes to the Regency world is that certain skilled people are able to “weave glamours.” Glamourists, including hero and heroine Vincent and Jane, can paint pictures with light — a fascinating skill which Kowal is somewhat familiar as, in addition to writing, the author is also a puppeteer who uses stage lights in order to create artistic scenes during her shows. Thus it fits perfectly that in Kowal's fiction her characters are able to create light shows by simply manipulating the element with their thoughts. Kowal incorporates the glamour working into her stories so seamlessly that at points you will forget that there wasn’t truly magic in the time period. Clearly, I devoured book one and two and am eagerly awaiting this novel’s release on April 2, 2013.
Have you ever finished a book that was so good, you didn’t quite know exactly how to explain the magnitude of its awesomeness, or convey how much joy it brought you, but you do know that you’ll be peddling it to everyone from your garbage man to the random lady on the bus? That is exactly how I feel about sci fi author John Scalzi’s most recent release Redshirts, a comedic spin on popular space opera tropes. The morning I finished the story, I bought my boyfriend a digital copy, which he promptly read over the course of a few hours. Maybe he devoured the book because he’s preparing to start the Every Star Trek Ever project and reading a deconstruction of “bad” science fiction stories seemed fitting, or maybe it’s because Scalzi’s latest sci fi is, at the very least, an immensely fun adventure (and at the most, effing brilliant). I’m going to go with the latter.